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Przeszkadzajki and cylinder, which is the key to salsa.

As I mentioned, I'm not a theorist of music, nor an expert on Latin American culture, nor wymiatającym dancer, but if I named people do not want profanom help in understanding the subject, she can do that a man who may be the zero (O ° C), but no absolute zero (-273.15 ° C). Salsa has signature 4 / 4 rhythm pattern, and double-acting. What does this mean? As for the meter, which is "Sound and Silence," explains casually. So mathematically we can recognize that 4 / 4 = 8 / 8, and therefore there is eight time slots in which we hit eight eights or 4 quarter notes.

understand that in this context, we now know why graphically flimiku 1-8 is included, and not otherwise. The rhythm in salsa rhythm is composed of two elements Congia and clave.

Conga drum is the one who strikes a symmetrical rhythm. Symmetric because dividing the whole bar, or eight for two fours, the first and second top four are the same. This explains the nice Anthony Persaud: "Sound Congia can be translated as three syllables: TU, KU, and PA." Tu-Ku "occurs at 4 and 8 & &, and" Pa "can be heard on 2 and 6 stamp" & "is defined as" I ", which is often in the dance can be interpreted in an extra step in accelerating the action, but is an element of intermediate, because you need to know the concept footworku.
simple rule of thumb: should listen the drum and count: "Tu-Ku", 1,2,3, "Tu-Ku", 5,6,7, and all eight are counted.

As for clave , in one of four places, there is one pattern, and the other completely different. You can hear 3 strokes more distant from one another in time and this is one of these two schemes and the quicker succession, the latter. This is the clave, in other words, "przeszkadzajki"] ;-) There are two varieties clave:

• 3 / 2 (three to two) in which the shock fall into:

1. TIME - Step
2. between the TWO, THREE and FOUR
3. - pause
4. SIX - step
5. SEVEN - step

• 2 / 3 (two out of three)

1. TWO - Step
2. THREE - Step
3. FIVE - step
4. between SIX and SEVEN EIGHT
5. - pause

Although would not settle, always 3 strokes are in accordance with step , 1 there is always a pause and 1is between steps. Why is it so and not otherwise? I do not know. Both schemes are written above, when we count the steps 1,2,3, .., 5,6,7, ... and then at 4 and 8, there are pauses, the dancers do not count, but it is not a dogma, because it can be accounted for in other ways, at least 1 ,..., 3,4,5 ,..., 7,8,1 and then pause to 2 and 6
simple rule of thumb:

• in the first case you catch 6.7 being shortly after the other, and then a , which is the first of three more distant shots, and then on a trial basis and we are just approximations beats in time for the different steps, often it is a characteristic of the variety of salsa clave for the Los Angeles style, but this is not a dogma
  
• in the latter case you catch 2.3 then 5 , because this type of clave mambowcom matches, salsa dancing New York Style

combining both elements can be summarized as follows (blue means a pause of 8 and 4, while yellow strike clave coincide with the steps):

• "Tu-Ku , a , 2.3, "Tu-Ku , 5, 6.7
• "Tu-Ku , 1, 2 , 3 , " Tu-Ku , 5 , 6.7

All these complexities make it a style of music comes in many varieties and songs are not on a hoof, and therefore the salsa can be interpreted in different ways.